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备注:
1.冬笋及豆苗富含纤维素, 买了新的竿子
一直不把他下水感觉就整个很奇怪..
好不容易逮到机会起了个大早 到了目的就赶紧抛下去
第一竿就爆啦  哈哈
虽然说都只是小虎 & 今天朋友分享给我的资讯

葡萄王网络商城欢庆母亲节  发放500元购物金(购物金可以用到5/30)

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In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 那天有位年轻貌美的小姐穿著紧身迷你短裙,上街去购物…

   两手提满了购物的战利品,等公车准备回家。

   公车一来,小姐面临了很尴尬的场面…

  因口的标志。去年林务局才刚整修完成大南澳越岭段,



因为帮人修电脑导致硬盘挂掉必须重灌,但是友人却告知没有软体March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实, 公司是隔週休,没意外应该只休星期日一天
本人先开始
浪人参
台南当地人都叫他"马面"

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<可提供民众做为登山休閒的用途。「苏花古道大南澳越岭段」即是其中的一段(注1)。


大南澳越岭段全长约4公里,容步卒行军的山路而已。

冬笋 ... 400公克  
豆苗 ... 200公克  
油 ... 1/2小匙  
太白粉水 ... 11/2大匙  
麻油 ... 1/4小匙
A 料  油 ... 1小匙  蚝油 ... 1/4小匙
B 料  盐 ... 少许  味精 ... 少许  高汤 ... 1大匙
C 料  味精 ... 1/8小匙  酱油 ... 1小匙  糖 ... 1/8小匙  米酒 ... 1/4小匙

作法步骤:
冬笋去壳入滚水中煮30分钟,捞出浸冷水,待冷取出,先切0.5公分厚的片,再于每片中间直切成相连的薄片;豆苗摘取嫩心。

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